Grace Van Patten in Hulu’s Dark Romance – The Hollywood Reporter

Normally, it probably wouldn’t be a file Good The thing is that, after five episodes that lasted five hours – in the middle of the season! – I still don’t know exactly what to do with Stephen (Jackson White), the main guy on Hulu tell me lies. Here, though, it’s just proof that the show works exactly as intended.

As he begins to move on tiptoe toward the perfect villain, the series will give him a heartbreaking revelation or a moment of true sweetness; When he threatens to look too lovable, he’ll drop a casual reminder of how amazingly cruel he is. Push and pull puts us in the same place as the protagonist Lucy (Grace Van Patten), who spends years ducking his hook before she can finally extricate herself — and it is this keen understanding of the psychology driving its central relationship that characterizes tell me lies From any number of dramas about a steamy but doomed romance.

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More than just guilty pleasure.

Presentation date: Wednesday 7 September (Hulu)
spit: Grace Van Patten, Jackson White, Katherine Misal, Spencer House, Sonya Mina, Branden Cook, Benjamin Wadsworth, Alicia Crowder
Creator: Megan Oppenheimer

Written by Megan Oppenheimer and based on the novel by Carola Loving, tell me lies He immediately begins to hint about the direction of Lucy and Stephen’s relationship. The film’s premiere (directed by Jonathan Levine) opened in 2015, after eight years of a dynamic that has become so toxic, Lucy’s friends doubt she can avoid “going down an entire Steven rabbit hole” on the other couple’s day—and if Lucy and Lucy are considered the faces of Stephen when they pick side up from each other across the grass any indication, and it seems unlikely that they will be able to resist falling back into old patterns for very long.

Having given us a glimpse into the futures of Stephen and Lucy, the series is taking its sweet time to get us back there. The story begins in earnest on Lucy’s first day at Baird College in 2007, as first-class Stephen abandons her at a fraternity party, leading to years of nausea to come. By the middle of the season, we’ve only come to the Christmas holidays. More and more impatient viewers may be surprised and go to Lovering’s book for answers. But while the early episodes have some major bombshells (including sudden death), Oppenheimer largely follows the boiling water frog approach to spoiled romance at the core of the show. Abuse increases in marked increments until it is too late.

Accuracy is made possible by performances made into the character’s personal, often contradictory nature. White plays a brighter as Stephen and the slippery intensity to back it up, but Van Patten’s blend of insecurity and self-determination makes Lucy the true focus of the series. Around them, the show builds a cast that similarly refuses to be reduced to easy archetypes. Stephen may catch Lucy’s attention, but her quick friendships with mates Peppa (Sonia Mina) and Brie (Catherine Misal) prove they were intoxicating in their own right. Meanwhile, even Steven’s most dreaded friend – die-hard Jock Wrigley (Spencer House) – gets a show class that puts him in a poignant new light.

If there’s a flaw in the show’s overall look at its characters, it’s that some of the subplots stay put for hours at a time — sometimes, for so long that we forget about them half the time they reappear. I don’t remember, for example, that the early hours were stirring up Stephen’s family drama until his mother appeared in Chapter Five. Then again, it’s hard to complain too much about the setting that ultimately pays off with a massive and so sad performance by an actor redacted for spoilers like Stephen’s mother.

Perhaps the most intense picture in the show is the culture surrounding all of these characters. As it turns out, the show’s 2007 setting is reflected in more ubiquitous BlackBerrys, UGG boots and independent rocker-needle drops. tell me lies He takes the culture of gender fusion of that era, armed with a close understanding of its idiosyncrasies and greater wisdom for the time. Through Lucy, Pippa, and Bree’s intersecting journeys, the series captures both how joyful or unfettered sex can be for young women, but also how cold and oppressive it can be. De Rigoire Insisting on keeping it can be casual.

The dialogue isn’t always subtle about what he’s doing, and some ultimatums may be spelled out in neon: “One day, a guy will reach far under your skin, and he’ll rot there,” one character tells Lucy at the premiere, thus clarifying the whole premise of the series. But it is more than balanced by the writers’ talent for exchanges that define a particular spirit or expectation in a few words. “Isn’t that stressful?” Bree asks Pippa in response to a rant about the importance of pretending not to give nonsense about the men they cheat on. “It is,” admits Peppa. “But that is exactly the case.”

In this context, the relationship of Lucy and Stephen takes root, and the story tell me lies She tells of a young woman who has no experience or awareness to realize how the cards are stacked against her, and a young man who knows exactly how to play it. As with all games, it can seem a lot of fun. Even Stephen’s harshest criticism of his ex-wife, Diana (Alicia Crowder), can often turn into a thorny form of foreplay. tell me liesThe marketing promises intense drama, and it delivers from the imagination of traditional attractive solid bodies throwing themselves at each other in carefully choreographed dances of blissful semi-nude. Sex may not always be great – sometimes, with more ignorant lovers, it seems downright awkward – but girls‘warts-and-all verisimilitude , this is not the case.

However, the inconsistency has been woven into the tapestry tell me lies It prevents it from incubating completely soapy. tell me lies He is very precise for refreshing boxing and very sympathetic to hand sympathies. At the same time, it’s also clear that ugly situations provide cover for these relationships, the personal decisions or shortcomings that allow them to blossom, and the damage they leave behind. It’s guilty pleasure in the truest sense—one whose erotic delights are tempered enough by sharp reality to get him stuck, a little, in the throat.

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