RSC’s new art directors are ready to “change” Shakespeare | Royal Shakespeare Company

The Royal Shakespeare Company He appointed two people to be co-artistic directors for the first time in four decades.

Daniel Evans and Tamara Harvey – the first woman to be permanently appointed Technical Director of RSC – will take up their position in June of next year.

The couple has a history of collaborating in theater productions and put them on a joint application for the job, which was announced to the public.

Sam Mendes, theater and film director, said Evans and Harvey would “change” Shakespeare.

“I can’t be thrilled about the prospect of two of the UK’s best artistic directors coming together to take RSC to its next exciting chapter. It’s time for Shakespeare to make some change – and I have no doubts that Daniel and Tamara will do just that,” he said.

Evans, an actor and director, has been Artistic Director of ChichesterFestival Theater since 2016. Harvey has been Artistic Director of Theater Clwyd since 2015.

They will succeed Gregory Doran who announced his departure in April after 35 years at the company, including a decade as a technical director. Doran, who led the Center for Medical Research through the challenges of the Covid pandemic, resigned after taking leave to care for his husband, Sir Anthony Scheer, who died of cancer in December 2021, although he remains honorary technical director until the end of next year.

Erica Wyman, who has held the position of Acting Technical Director since Doran’s departure, will leave the company next June to pursue a freelance career.

Shriti Vadera, RSC Chairman, said Evans and Harvey were drawn from an “exceptionally strong field of candidates. They bring an impressive track record of technical achievement with a strong commitment to education, communities and endorsing diverse talent and voices, along with a proven strategic ability to lead great companies.” “.

Evans and Harvey recalled seeing RSC productions at the company’s headquarters in Stratford-upon-Avon as a teenager.

Evans, who was raised in Wales and educated in Wales, said: “I was fortunate to see so many inspiring performances in Stratford during my teenage years. I later celebrated my 21st birthday there during my first post-drama vocational school.

“So returning to RSC as co-artistic director is very meaningful to me. Doing so alongside Tamara is a pleasure and a privilege. We share deep-rooted values ​​and an ambitious vision for the company.”

Harvey, who was born in Botswana and grew up in Massachusetts and Brighton, said: “Taking me to Stratford to witness a cathedral murder in Swan when I was 15 was one of the most vital moments of my childhood: feeling awe, but even then, wanting to get in there. And to start making plays—two feelings I still have today.

“Going into this job is the most exciting and disturbing thing I’ve ever done.”

She and Evans had “a shared belief in all that the RSC can be – home to relevant radical theater made by artists from across the UK and the world at large. A global community inspired by Shakespeare, bringing together countless voices to tell the stories of our time – and of all time” .

The company’s last joint technical directors were Terry Hands and Trevor Nunn, who were appointed jointly in 1978, with Hands taking sole control in 1986.

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