This new book takes a look at the most brutal art criticism in history – the surface

Is barbaric art criticism dying art? Alexandra Mir asks this question in bad reviews (Retrospective press), jointly with the former Artforum Editor Tim Griffin, who collected scathing opinions from 150 contemporary artists. The idea came when Meyer first read critic Waldemar Januszack’s review of the 2006 exhibition of Young American Artists at the Royal Academy in London. This whole show stems from stupidity and a lack of education. Has anyone here ever read a book, studied history, looked at Botticelli, questioned a style, or patiently thought their way through an artistic dilemma? It wasn’t a chance,” he barked at Sunday times. “This is a generation of happy knowing people who have grown up on hamburgers and pornography, an untalented boom of junkyard after pop music.”

Mir asked hundreds of artists to send her the most brutal removals; The vast majority refused at first, unwilling to revisit the dark memories supposedly hidden deep in their minds. As the project progressed, the idea got warmer — Ed Ruscha, Michaelin Thomas, Florian Hecker, Cole Schneemann, and Robert Longo ended up contributing, leading to a survey of the most bloodthirsty art criticism arranged chronologically from 1963 to 2018. A product of rigorous research , bad reviews It took seven years to assemble. Due to the logistical nightmare of securing print and image copyrights, the book is not for sale – it will only be distributed to artists and select libraries and universities. (Mir encourages curious readers to research and distribute Illegal copiesHowever.)

The nature of crowdsourcing for bad reviews Meaning it maintains a “for artists, by artists” perspective, a collective scrapbook of scathing disdain that is ultimately silenced by design. “[Its] The artist-driven scattered style is its appeal but also its limitations,” curator Nick Irvine wrote bomb. “The archive he presents is shaped more by the artists’ hurt feelings than by critical ideas.” Notice the influence of Gary Indiana village sound The column is clearly absent during The New York Times Art critic Roberta Smith appears ten times. Meanwhile, Alex Lambert introduced a teen telling her to kill herself via Twitter. The latter reveals an unfortunate truth about the state of publication: many young artists simply did not have the scathing reviews of venerable publications.

With print media in decline and arts departments often succumbing to belt-tightening, there is a growing dearth of high-quality art critics who use the pen as a sword. Technical Writing Ending Publishing, Irvine NotesIt tends to promote more than criticism, and obliges the press releases and the propaganda apparatus they operate. The internet has also placed a tattered content ecosystem on readers — criticism from the old guard buried behind algorithms may be viewed by some as positive, allowing new voices to enter the fold.

Meyer notes that examining one’s work beautifully is a rite of passage—even if painful—and it has become increasingly uncommon with the development of the publishing industry. “We are now in a moment where social media, not even constructive positive arguments, define people’s credibility and importance, and of course anything negative is associated with hate,” says Meyer. Watchmanenjoying the heated debates that often unfolded in the ’90s but feel absent today.

Author Raphael Rubinstein questions why art critics have not ventured beyond the written word given how accessible video technology is. “I dream of what could be done in the field of art criticism by someone with a sharp mind and a good understanding of Final Cut Pro,” he writes in art in america, wondering if video articles on contemporary art might motivate a new generation of smartphone users who may lack the attention span for text-based criticism. The videos definitely boosted the career of Anthony Fantano, who reviews albums and songs on his YouTube channel needle drop to more than 2 million subscribers, and it was recently invoice by times As “The Only Music Critic That Matters (If You’re Under 25)”.

If considered criticism disappears – evil or not – then the world will be deprived of gems like the House of Wells famous extermination From Guy Fieri’s former American Kitchen & Bar. What could be sweeter than this one thread: “Why is one of the few things on your list that can be eaten without fear or regret—the lunch-only sandwich of soy-glazed minced pork with coleslaw and cucumber—called grilled pork Banh Mi, when Looks like that item as much as Emily Dickinson?”

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